
I was strolling in Ponte Vecchio, Florence, one summer evening when I heard the sound of music and followed it like the Curious George(ina) that I am. Before I realized it, I had joined a captivated crowd of locals and tourists who had formed a circle around the incredible performing duo, one of whom was Michael Amadi, an ultra talented pianist and singer. More about Michael later, as I want to let you guys know that I was a good audience and actually bought the duo's CD. Let's appreciate street performers shall we. I'll admit that more often than not I will enjoy street performers' art, good and bad, but only seldom be a true consumer, walking away when the cap goes around for donations as so many of us do. Note to self people: nothing in life is free.
Back to the lovely and talented Michael. He's just 24 and isn't currently in historical Florence but is pursuing songwriting at The Institute of Contemporary Music Performance (ICMP) in the mad city of London. In just a year he has already developed a British twang, and truth be told, I myself have subconsciously added words like "bugger", "knackered", "chuffed" and "bloody" to my vocabulary from my London days.
Here's a preview of Michael's vocals on the piano but make sure to scroll down for my 10 QUESTIONS WITH MICHAEL AMADI.
Hi Michael! Thanks for giving me a virtual tour of ICMP. That's one sick piano in the common area. When did you realize you were musically inclined?
I was 5 years old when I started playing guitar. At elementary school I was that boy hiding not Spiderman comics but music books behind his school books, thinking of melody and songs. I was also the boy who preferred to stay home sat at the piano and write music rather than play outside. I totally see what's he's talking about. I was the kid hiding Archie comics behind my school books, desperately wanting Archie to realize that Betty was the one for him, not the evil Veronica.
How did you get into street performing in Florence?
I remember it well. It was a Tuesday night when I was crossing Piazza della Repubblica and saw Claudio, the other half of the Florence duo you saw, performing. I went back every night to listen to Claudio with my friends. One day Claudio invited me to this studio for a breakfast conversation about music. There was no turning back from there. We started performing in Siena and from there moved on to Ponte Vecchio bridge. We spent the first year collaborating on projects in the studio and performed on the street for two summers every day after that.
You're taking a break from street performing. Tell me something about that part of your life.
The best thing was that it gave me a chance to meet lots of people from around the world, that was kind of amazing. Once, there was a teacher of graphic design from China who painted us performing. That was pretty special - we still have that painting in Florence. If I had to pick a worst, I'd say the music we performed was mostly the same and that felt a bit repetitive sometimes but the audience was always different. I always remember faces. I remember you. Note to self: no need to be flattered Naveen. He's probably being kind and when you were 24 Eminem still made music videos.
How many phone numbers did you get in those two years performing in Florence?
Girls would leave their phone numbers on my keyboard every single night. You do the maths. Cheeky monkey! For the record, I wasn't one of them.
Can you make a living from street performing?
For me it wasn’t a job, I was making music. You guys buying our CD was a reward for me. I used that money to support projects like my education in London. My parents aren't funding this.

You moved to London a year ago. How competitive is the music industry?
There are some huge and good artists in London. In Florence I performed on the most famous bridge; it wouldn’t be possible to have the same opportunity here. I haven't performed in London yet but it might be cool at some point. The idea is a little scary. Peeps, keep an eye out for Michael in London's hot spots. He may just surprise you with something spectacular.
Who is your inspiration?
The piano is my main instrument and I'm trained in classical music. Elton John, John Legend, Michael Jackson, Stevie Wonder and Coldplay are up there for me. Funnily enough, people tell me that when they hear me play the piano, I remind them of Elton John and apparently I resemble John Legend. I'm not sure who my voice reminds them of. Michael has a point. No one obvious comes to my mind too. It's probably a good thing - sometimes it's best not to have comparisons.
What’s next?
My experience in Florence taught me that anything's possible. America is the dream. Until then I'm working on many interesting projects. I'm collaborating with different bands in London, some ex graduates of ICMP. In two months I'll be heading off to Spain. My friend who's a brilliant guitarist was approached by a manager to record a song for a drag queen event. I came on board as producer. Who would have thought I would be a producer and that too have Spanish drag queens perform to my music?!
What advice would you give to someone joining the street performing scene?
I have studied classical music and now songwriting. People shouldn't underestimate the grooming and hard work that happens behind the scenes. I remember being terrified the first time I performed on the bridge, I couldn’t look anyone in the eyes. It's true. I remember that anytime we cheered him on, Michael looked down grinning shyly.
Michael, when I get married will you sing at my wedding?
YES. We can definitely arrange that. Hurray! Finally a reason to get married.
Notes

Follow Michael on Instagram @amd.mch